How to sound pro with stock FL Stuff

[Pyrax]

[nezvers]

At starting I thought it will be something new but when saw that you let kick out of control and clipped on master bus I couldn't continue watching it to the end

[Pyrax]

At starting I thought it will be something new but when saw that you let kick out of control and clipped on master bus I couldn't continue watching it to the end

Watch it untill the end or just listen to teh fucking outcome.

[Hor1zon]

When you burped into the mic and didn't said anything like "Excuse me" or "Sorry" I was disgusted...

l2edit.

[Pyrax]

When you burped into the mic and didn't said anything like "Excuse me" or "Sorry" I was disgusted...

l2edit.

[Hor1zon]

When you burped into the mic and didn't said anything like "Excuse me" or "Sorry" I was disgusted...

l2edit.

You think its funny, I find it really kind of disgusting and and immature that you thinks its funny.

[nezvers]

Like I replied on your youtube comment - your attitude don't show anything good.
And won't talk about your reply... just improve your manners! No offend man!

[Rmonik]

You totally fucked up that kick by running it through that plugin. Also, what i notice in all your music is that your bass runs all the time, without pause, at full frequency. That's actually really tiring to listen to.

And quit being a dick.

[BPT]

While I am banning you, I will actually give constructive criticism on your video.

1. Don't drag it out.

Use a script so you always know what to say and how to say it. Edit your video to remove unnecessary pauses that make the video boring and tedious to watch. It's totally pointless for me having to wait for you to find a way to say something when you could just cut to the chase.

2. Sound quality.

While the actual quality is HD, mix your mic properly. There's way too much bass in it and it pops and crackles all the time. It's not just annoying, poor audio production makes your student distrust your production and thus also your teaching. Why should I listen to what you have to say about production when you can't even produce a simple voice-over?

3. Elequance.

This ties back into the scripting thing. Find good words to use and intelligent ways to say it. You said five times how a kick should "punch you in the face" and "kick you in the balls". What are you, five years old? Neither of these descriptions give any real indication of what it's supposed to do other than, well, being hard, which is what most sounds in a dubstep song (presumably, I like the rest of the people here couldn't actually finish it) are supposed to do.

You clearly have enough grip on the English language to speak it, so actually use it to at least some potential.

4. Know what you're talking about.

This is probably the most important part. If you're not awesomely epic and ultra pro at everything, don't pretend to be and actually stick to the little you know. Seriously, you're wrong about a lot of things and some good old doubt would actually help you the rest of the way to become a good producer.

If you have a cool technique that you know for sure works. Good, show it. A neat little trick? Fine. Just don't do a masterclass because you're far from ready for it.

[nezvers]

Damn, BPT nailed what I was thining!